Wednesday, May 13

Crazy Week In London Tango!

London is getting very busy with tango these days.

There are so many planned events that it is getting difficult for many how and what to choose, where to go, and which ones to attend if we could survive this mid May clashes of programs.

The competition between organisers should pay dividend as far as the dancers are concerned. Perhaps everyone would benefit if there was more coordinated approach to organising some of the events but I am very doubtful if this happens!

This week we have major and entertaining evenings and events taking place between 13th to 17th May at the following:

...and these are just the ones with special programs in London for this week that stand out tall from the rest. There are many other of our regular venues running their normal evenings in and around London that the list can go on for some long time if we were to list them all.

We all have our favorites so good luck to all who can or try and make the most of all there is for this week alone!

I do hope that they ease off on the clashes of program planning so we can enjoy even more of some such treats.

MilongaCat.
The Only Cat Who Loves You Back!

Friday, March 27

Who Loves To See You!

It was last year, the place was The Corrientes and the time was one o’clock am exactly. The music suddenly stopped in the middle of the tanda. The organiser “Giraldo” put his head over the balcony above the dance floor and said “Sorry, times go forward, it is 2 o’clock and this is the last tango!” Well it was not, he was wrong but….!

Please note that the British Summer Time does changes at 2 am and NOT 1 am. That lack of attention is beside the point here because if it mattered to them then they would have found out such simple details.

As simple as that! The lights came on, music stopped and they started hurriedly gathering the glasses off the tables. Everybody was annoyed with the way it was done. No prior warning, signs, explanations or anything that indicated prior to 1 o'clock what was planned. In fact up to 12:25 people were still paying at the door and coming in. These included a few of my own friends who joined us thinking we’ll be dancing together till almost 2 am.

Tango dancers as a rule are very polite customers but some organisers see us: the customers, as an encumbrance and a burden!

It reminds me of the old ways some English Pubs and bars used to operate when they had to stop serving at 10:30. One could buy a drink or more at 10:25 but the pub owners wanted the customers OUT as immediately as possible past the 10:30!

The Corrientes has tried to improve and tidy up its act however it is still a far cry from its glory days many years ago. It became very careless with how it received everyone till there was a point in time about 4 years ago when it reached the bottom. I suppose once one gets there then the only way is up.

I hear also that the rude old woman collecting the money at door is no longer there. Many had expressed their opinions on how they found her most annoying and irritating with her personal remarks. I don’t think she had any idea how just incredibly rude she was to the paying customers. Thumbs up on not having a mad person at the door and it seems that the penny had finally dropped.

I must add that I have had some wonderful evenings over many years at the Corrientes. I attribute them mostly to the good company of friends and dancers whom I have been lucky to share my evening with.

Personally I only vote with my feet. Those who are glad to receive our custom should know that it matters if the place is clean, the hosts are polite and look as if they are glad to see us there.

I am not sure what The Corrientes is doing this time around as the clocks change again for the British summer time. I do however know that people did not get an extra hour when it was British Winter time change!

Regardless of these I shall be enjoying myself at the Crypt with The El Once Club de Tango this week. I know there is a warm welcome awaiting many with the lovely hosts Paul & Michiko from El Once Club whose care and concern for their guests has always been exemplary any evening of the year. Maybe other organisers should pop in from time to time to observe how good hosting is done!

MilongaCat.
The Only Cat Who Loves You Back!

Tuesday, March 24

The Woman, The Shoes & The Dress

One of the most frequent topics of conversations around the dance floor amongst female friend dancers is about Tango Shoes and/or dresses.

The topic is dominant to the extent that it may make some think the shoes feature themselves more obsessively in the thoughts of those friends dancing than the music or the dance itself.

Of course the quality and the elegance of the shoes worn by any dancer does have a direct correlation on how it makes the dancer feel. The Comfort and the confidence that arise from good shoes can be seen as undeniable need in a long evening of dancing however I believe this goes a little deeper.

The shoes are also seen to be representative of a dancer status in the community of dancers. The height of the heels, the intricacies of the design, the colour and type of material used they all lead to the views taken on how good the dancer must be in order to wear them.

Naturally the reverse is also true that if an inexperienced dancer wears a very noticeably "classy" pair of tango shoes then that dancer is allowing for many harsh comments and criticising looks and comments being received.

The magic combination of an elegant dress and some fancy pair of shoes attracts everyone's attention. Some have a lovely figure to match the deep pocket that the above attire may need while some don't know any better and end up looking similar to some wonderful decoration placed on a wedding cake that may be good to look at from distance but inedible and tasteless in closer examination.

I like to think that what attracts most good dancers to each other is the promise and joy expected from a moving embrace. The shoes and the dress are hardly noticed in a magical tango embrace. Still, if the shoes and the dress make you feel good, and you believe that it may make me feel good too then please do not hesitate.

MilongaCat.
The Only Cat Who Loves You Back!

Monday, March 23

A Tango For Peace

An attempt at translating an eastern tango song:
Glasses all empty;
Bottles are drunk and not even a drop is left inside.
There are no matches;
and if there is fire, the problem is: not having any cigarettes left.

The dawn is here but; the sky continues being dark,
maybe the last drink was spiked.

Here, since you left me behind,
my only friend has been the wine.
A picture frame standing on my table filled with blank,
the picture's gone,
It frames now the image of "An Empty".

I know -I loved you for an eternity,
but I can't even recall you by your name.

The glasses are empty and if there were gallons more to be drunk
- somehow I doubt that they would have been enough,
I remember you taking about Love
- even your love seemed greedy to me.

Misfortune does not just arrive when the pay is gone,
Life is somehow a kind of disaster when the best things in it are:
- Lies, Fictions or just Memories fading gradually, helped by wine.

"Well Done!", You have managed to be victorious in this War!
Can you tell me if you know what you wish to do with victory now?
I've surrendered - there are no grounds which I wish to fight you on -
Can you tell me now till when you intend to escape this Peace?

"A Tango song is always a Tango Song regardless of in which language it is sung!"

Thursday, February 19

Going To School!

It is easy to forget that dancing tango and the Milonga floors attract all sorts of people, some of whom we never meet in our other daily lives.

The other day I was having a discussion with a group of people who were having a break around the dance floor. The subject was butchered before too long. We had left the topic of "technique" and somehow had arrived at discussing the personalities involved. I walked away, preferring not to be further involved.

Later that evening taking the same route home to an underground train station I was joined by one individual whom I found objectionable with his unfair views on some teachers' personalities. In order to defuse the topic away from the earlier one I inquired what he was doing in London when not dancing the evenings away and the following is as best as I remember it.
- I go to school.. after school I come to dance...
- That is good, I am very interested to know more. Do you do research?
- Yes... I read...maths, business...
- I see ....Which school?
- London!
- London School of Economics? Are you doing an MBA?
- Yes School in London, they haven't told us all of it yet...
- Sorry ...is it for a Ph.D.?
- ...They haven't told us that ...
- Is your research leading to a Master's degree or a PhD?
- I don't know yet, ... the school hasn't told us that
- I am bit confused now, please tell me mind my own business if you wish not to discuss your research ....but... you are reading maths and business in London School of Economics, right?
- Yes...I go to school..in London.. reading maths...business....
- ....
- ...
- ...
This went on for a while till I realised the mistake was mine! He is actually attending a school for adult education for learning basic maths and literacy courses. I wish him all the best with that.

What it highlighted however is that our assumptions about tango and our shared experiences with it do not also mean our personal experiences mean the same to all those involved. We exist in very different paradigms from one another although we share the same pleasures.

We draw our own conclusions based on those paradigms that we are accustomed to. we see and read what we expect to see and hear. That is how confusions in our tango conversations usually come about.

This is another very valid reason to avoid talking if at all possible, and not to discuss much with other fellow dancers but try and dance instead for most of the time we are spending at any milonga.

MilongaCat
The only cat who loves you back!

Sunday, February 8

Dim the lights!

I do not mind those of us who are content with living in the shadows!

I do mind those who are intent on burning our human shadows!

For peace of mind, shoot down the Disco glitter Ball as soon as it is seen shining on a Milonga floor!

Saturday, January 31

Love stories

Love has so many stories, just tell of one that you know,
the one about me - all you need to do is "wait a turn!",
then tell all that is: "Transparent"; with all that you could see.

In the field of dreams, don't ask or admit you know me!

-tell me you never have,

"without you I might be the loneliest" - but tell me you never have,
tell me that my eyes were needing you,
tell me that you are my desire,
tell me that the air is cold - but tell me breathing that air is all we need.


who dared say or wished it "You now need to walk this alone!"?

I can not tell you why or how there is no longer a verb of "love",
"when did it die?"
I still sing its songs - love songs.
- how would I know "what became of love?
"

It is in people's sad eyes that I read;
- They keep telling me: " 'Love' has passed away!"
- The exact time and the cause of death?
- The cause: I do not know; the time: maybe it was late in the evening - yesterday .


Today, Don't tell me not to sing love songs; not any more!
I wish it were sunny; or that we could talk "some love",
- Sit down!
- Be happy!
- Life is short,
- 'Love' might be dead - but let's pretend;


let's imagine: it being sunny; and that the river is calm;

let's pretend that the boat is sailing;
let us sing: "there is still some love waiting to be found!"

Again, in the night - when there is no lover's tears touching any lover's heart;
I can sing another song:
- " I would kiss those tears if only I could convert"
- " If I could become an honest one - a believer!"

I wish I could feel fear - at least resent all that was said;
but it is
"now" - too late ;

"Isn't it easier if we could all just pretend?!"
... that is what my lover would say.

MilongaCat
The only cat who loves you back!

Thursday, November 27

Tales or Tailes!

There was a war on and there was food rationing. There was not much to eat and many existed on a meagre supply of whatever happened to be sold under rationing systems in the shops in Britain. The government encouraged everyone to grow vegetables and to farm any animals if they could, to supplement whatever there was to feed themselves.

In the suburbs the soldiers on guarding duty were told to keep their eyes open and to protect people from anyone who might be poaching and stealing since this happened specially during the curfew hours.

At their guarding post on a small country lane a soldier interviewed the Priest that night like almost every other night.

The Priest gave a different reason on any such nights whenever he wanted to be excused for breaking the curfew and for venturing out, to visit the village below. At the bottom of the hills sat a small village where this country lane led to it. From the guarding post the soldiers could observe any coming and goings. However a little further down and all below the hills there was not much anyone could see other than the night shadows.

The Priest always talked of the elderly, the needy, the lonely and the frightened, the orphans and many more. He needed to pass the guards and break the curfew because he had to; this he always told the soldiers. His cause he made sure was heard and understood to be one that was selfless, noble and essential.

That night, the soldier who had met this Priest many times before, had stopped the Priest on his way back from the village. This soldier told the Priest that from that night on he will not be allowed through, and that the curfew restrictions will apply to him too. He made it clear that he will not be permitted to break the curfew at any nights, not any more. Hearing this, the Priest got very upset and started arguing his reasons. At the end, while being very angry, and unable to get the soldier to agree with him, the Priest became abusive and rude and insisting that “I am not telling you tails other than the actual truth when I tell you that they need me there!”

The soldier looked at him hard and long and finally said “What should I believe to be your truth? Is it the tale that you tell me whenever you pass through on your way to the village below or the telling tail of the stolen chickens sticking out from under your sleeves when you come back from your nightly visits?!”

That may have been then, but “the telling tales” and “the telling tails” is a dilemma that we still have with us till today.

Should we believe his tale if someone tells us of his fighting to secure Mr Obama’s victory or base our opinions on other telling tails of his angry words when he fights against the Afro-Argentine issues as well as the Negristas arguments of the history of Blacks and how they have been denied this in Argentina?!

MilongaCat
The only cat who loves you back!

Monday, November 24

From my planet Earth to your Planet Tango

"Two things are infinite: the universe and human stupidity; and I'm not sure about the universe." was famously said by Albert Einstein.

For the majority who love tango but choose not to live on on a different planet we find ourselves bound to respect the historical facts and referenced realities of the events on our planet Earth for what they are. There are undeniable facts about Tango Music, Photo Archives, Recorded songs and melodies, and all that have survived to date, and these are being further researched and added to at all times. It is not just one source that speaks the truth but there is always only one Truth.

There are those who can argue much better than I could on how Candombe of the Blacks (Slaves) and other influences did help in evolution of the Tango music and dance.

I would however like to arrive at the questions of LEGEND & MYTHS of the Planet Tango from a much simpler and most basic that all of us may follow.

The UNESCO facts (to date) and its research into Slavery show that at the beginning of the 1820's the black slaves of Latin America including Argentina were greater than 30% of the total population in most areas.

However by the year 1920 those Black populations of "slaves" off-springs who managed to survive in Argentina was brought to near extinction from 1 in 3 of the total population to just 1 to 1.5% of the population.

These are sad but undeniable facts. A very foolish suggestion is made here that The Yellow Fever, Wars and Inter Racial marriages alone caused this extinction.

These beg the following questions:
Was yellow fever a RACIAL DISEASE? Did it only kill the slaves -blacks - as to wipe out a third of that country's population? Was the fever's fatality due to the colour skin? of course NOT, this is Absurd to even suggest it!

Question of Wars? Were the Whites using any MAGIC protection and hence they became invisible to the enemies? OR Were the blacks mortal and could be killed in wars but the WHITES were IMMORTAL and could survive? This is another Absurd suggestion when blaming the near extinction on question of wars that killed all the black population but the White survived!

According to the strange archives of that Planet, (i.e. Tango Planet), those who were trading the BIG BUSINESS of Slavery for more wealth and comfort, they kept and traded these slaves in farms and mines, worked them to death BUT these Slave traders/owners suddenly all became "HUMANISTS" between 1820 to 1856 and decided to marry them instead!

The suggestion of INTER RACIAL MARRIAGES from when Slavery was "Declared Illegal" therefore made many 100,000's of slaves part of the "WHITE" Argentine population in one or two generations is absurd. To think that INTER-RACIAL marriage program was common in order to make sure that all the FREED slaves children inherit only the racial colour "WHITE" is incredibly naive and impossible to believe for any
school child who knows the very least about genetics!!!

The absurdity of such suggestions by the Planet Tango are astounding and when you look at the its twisted self-serving (non existent) logic, it then is a question: Why is it even suggested in the first place?

History can not be sanitised just because we do not like the past in a Tango or any other Forum.

For those living on the "The Planet Tango" I must reiterate that this is not a "NEGRISTAS" political issue - as you had suggested it to me in your communication. I have raised these due to simple politics of our Humanity. We are at the end of the year 2008 and not the 1908! The Negristas politics may be one that you are still fighting against but for myself it is our integrity and humanity that is the question.

It is good for all of us to want to be Politically Correct and to also be vociferous in doing so specially in the face of those who want to instil stupidity in us and to progress it to their infinite.

MilongaCat
The only cat who loves you back!

Friday, November 14

The Song of the Reed



(From Rumi's Mathnawi Poems, Book I,
Translation by:
Sir William Jones)

Hear, how yon reed in sadly pleasing tales

Departed bliss and present woe bewails!

'With me, from native banks untimely torn,

Love-warbling youths and soft-ey'd virgins mourn.

O! Let the heart, by fatal absence rent,

Feel what I sing, and bleed when I lament:

Who roams in exile from his parent bow'r,

Pants to return, and chides each ling'ring hour.

My notes, in circles of the grave and gay,

Have, hail'd the rising, cheer'd the closing day:

Each in my fond affections claim'd a part,

But none discern'd the secret of my heart.

What though my strains and sorrows flow combin'd!

Yet ears are slow, and carnal eyes are blind.

Free through each mortal form the spirits roll,

But sight avails not. Can we see the soul?

Such notes breath'd gently from yon vocal frame:

Breath'd said I? no; 'twas all enliv'ning flame.

'Tis love, that fills the reed with warmth divine;

'Tis love, that sparkles in the racy wine.

Me, plaintive wand'rer from my peerless maid,

The reed has fir'd, and all my soul betray'd

He gives the bane, and he with balsam cures;

Afflicts, yet soothes; impassions, yet allures.

Delightful pangs his am'rous tales prolong;

And LAILI'S frantic lover lives in song.

Not he, who reasons best, this wisdom knows:

Ears only drink what rapt'rous tongues disclose.

Rumi




Tuesday, October 21

Classes, Work-Shops, Seminar!?

It is good to learn. Some of us may spend a life time trying to learn what we find interesting. Learning any subject can be either a very easy or near impossible, and it is not just about achieving tasks. Passionately loving to learn is just one part of the equation in any learning process. The rest mostly comes from a good solid and well tried and tested “Methodology” designed for learning that specific subject with the help of a medium and any media that can do that job.

In some tango “Shops” where sadly “Tom(s), Dick(s) or Jeannets(s)” have neither a clue what a “Methodology” is nor they would give a hoot about such complexities, many students are failed by their teachers’ inability to teach. Every week they are asked and shown how to Copy moves. In certain cases Greed also plays a major part when some teacher deliberately knocks out the students’ confidence in order to ensure more frequent attendances.

The adverts come thick and fast. There was a time - NOT very long ago - when we all knew what the terms Beginner, Intermediate, Improver, or advanced meant. The word “General Class“ meant something very distinguishable from a “Technique Class”. There were sophisticated things we knew of called “Courses!”.

These "courses!" were a series of General or Technique Classes. They began at some specified level, and progressed systematically and methodically over a period of time to advanced levels. They took the students to a higher well-specified level. There were no fuzzy, willy-nilly, randomly selected clap-trap terms and names describing almost anything under the blue sky or next to nothing on a dark rainy night. There was a purpose, and aims and achievable were explained and they would be different for different courses and not the same silly paragraphs for all the meetings of the year.

Finally there were “Work-Shops”. These were special and would not be stringed together just because the teacher fancied how the words “Work-Shop” sounded in relation to their own names.

Workshops were places and times in which students who had accumulated knowledge and expertise gained from one or more “Courses” gathered and were given the opportunity to concentrate on some areas of shared difficulties. Students were able to enhance their knowledge, and to complete their fluidity.

Workshops were run by the help of true expertise of a “Master”, and in the company of students whose equal level of abilities and interests offered them the opportunity to clean up and polish what was not possible to do so in a normally attended/organised course. Workshops lasted over a few hours to “master” one topic, and they were not delivered as a series of small run-of-the-mill classes of steps & sequences!

In our current Tango scene and in many “Tango-Shops”, no one seems to teach a Class any more. For example it is now common that the poor students are often invited to take “Work-Shops” only to find themselves over-charged by a factor of 2 or 3 times to repeat another “Technique Class”. They would practice for an extra half hour of what they were meant to lean in a class and pay a lot more and still not know what it is that they are lacking!!!

The insult gets fully completed when there are talks and claims of giving a “Seminar”. Do they really know what the word Seminar means at all? Have they ever been to a college or university course, never mind those!? Have they looked up the word “Seminar” in a good dictionary? Have they then thought to ask the most basic following questions:

  • Is there going to be a small group of advanced students in a college or post graduate school engaged in some kind of “Original Research”?
  • Is there going to be an intensive study plan to discuss students’ reports and findings under the guidance of a professor who meets regularly with them over a study term?
  • Would there be a meeting for exchange of ideas in the format of a conference where equally knowledgeable researchers could discuss the merits of their own developed ideas?

Unfortunately none of the above would take place in any Tango “Seminar” organised by “Tom(s), Dick(s) or Jeannets(s)”.

So Let me just conclude that personally I would like to see more of those dedicated teachers who run proper “Tango Courses” and a lot less of those title inflated “Work-Shops”.

Maybe there will also be some hope here for disengagement of the ignorance and arrogance, and that we would not see the abuse of the word “Seminar” when a Tango Course is being advertised and sold.

MilongaCat
The only cat who loves you back!

Monday, September 8

New Tango Season!

It has been a long while. No specific reason for this absence other than being overwhelmed by the mundane. A bad excuse but that is the only one there is.

I feel a little older and not a great deal different, and that is the way I love life to be.

There had been times that I had been wanting to sit here and write you all that had fascinated me or made me burst out with loud laughter but somehow the barrier was not lifted. It was until the other day when a friend said "Just write what you like and you can always stop again if you wish or feel you have no need to write!".

I know that I am not aggressively competitive by nature, and perhaps that is why I find it difficult sometimes to set myself targets. I know there is a very fine line between feeling content and ending in a state of procrastination. How can we tell them apart when the same feeling can be seen as one or the other by different individuals? I am not sure if I have the answer, let me know if you do.

"Work hard and Play hard" that has been a life style that I have lived almost all my adult life by. That is why if and when I get a little free time to myself, I get frustrated. I simply do not know what to do with that bit of "Extra Time" so I end up feeling guilty. "Strange?", maybe, But I do know that I am not alone in feeling this way.

"Play, and playgrounds", Yes! Let's talk about these, i.e.: Milongas, a few new ones have sprouted up in London. While One or two (if not more) have also changed their places and ended up in new homes. More on these some other time.

Summers are usually "Down Times" in London tango scene. Many people go on vacations, having fun in some warm places where skins are kissed by sunshine almost everyday and all day. This is the preferred choice. Somewhere where cold drinks are more tasty and plenty, and Life is hot, somewhere where Mundane can be put on pause and when silly and being casual wins over all else there is. A little madness, this is the best rest.

London kick-starts its new Tango season by joining and taking part in "The Thames Festival". The Mayor Of London's Office organises this end of summer big festival and "The River Tango" is one of tens of location where live music and dancing are on offer along the Thames River Embankments and its bridges. All public events are totally free and I won't mention our high London taxes that are paying for this event. So do come along!

MilongaCat
The only cat who loves you back!

Thursday, May 1

Embrace Delight

Every morn I decide to repent at night
For embracing the joys of heart and sight
Yet every night, what seems right
With all my might, embrace delight.

Translated From Rubaiyat of Omar Khayyam

Wednesday, April 23

So Little To Say

I believe "the book" is always better than "the film", only because the reader is often the best director a story can get.

Perhaps that is why I enjoy the voyeurism that one experiences when reading other people's blogs. Some bloggers can write and describe a normal routine event in visiting their local milongas with such care and affection, and in such wonderful details that it becomes contagious. A compulsion is created for their readers. The compulsion is to want to visit some milonga somewhere before the end of that evening and wanting to experience what was read.

When I have so little to say or share I look even harder to read others when they have so much to.

MilongaCat
The only cat who loves you back!

Wednesday, April 9

Simple: Overtaking - Don't!


No overtaking on the RIGHT HAND SIDE!

Most leaders can not see or guess who is going to overtake them to their right simply because it is a natural blind spot. This becomes a much more serious issue for many of us who dance close-embrace.

This common-sense and simple rule of "NO OVERTAKING ON THE RIGHT HAND SIDE" frees us from wishing we had the use of either "X-Ray vision" or "Reading (those very silly) Minds" .

MilongaCat
The only cat who loves you back!

Friday, April 4

Hands On!


Staring is rude, gazing is OK, watching is certainly encouraged. "Bizarre" ... but it is not really. Think about it, well at least later, if you want to, and "No!" you don't have to!

- Just stay there and watch!... and watch a little longer! ...and then do some more! whatever you do, just make sure you don't stare...it is said to be rude.

**************************************************************************

Earlier she said to me she liked my hands. I found that a little confusing. I feel there is nothing special about my hands. When I told her this she did not try to explain what I should look for in order to distinguish them somehow for either being different from the others or for being liked by her.

I felt embarrassed hearing her say that, mostly because I have not really learned to take on compliments easily, maybe this is a cultural thing I have inherited from my father's attitude.

I looked at my hands today and tried to see them through her eyes, I studied them and I could not see why she might like them. They are just normal hands, and like any other.

Today, I have also been watching other people's hands. At first, everyone's hands looked like any other. During the day, whenever hands were extended for a hand-shake or selling me tickets or handing me back some change or generally when they were used for whatever purpose in front of me I studied them. It was important. I needed to know and learn of the possible differences.

I admit some were small, and some were large but many were just proportionally like the rest of all other hands we might have a chance to see everywhere.

I don't know how or why I began to notice not the hands but the nails on those hands instead.

It is incredible how much nails can tell us about a person if we study them carefully. Nails can easily be watched, people do not seem to usually mind any strangers looking at them.

I told her about this much later this evening and before I had finished telling her all I had learned I noticed that she had hidden her hands from me. She could not agree to let me see her nails before she could get a chance to do them she said to me.


**************************************************************************

Next time I dance I will watch those hands that take mine and see if I like them differently from another, maybe if I try I might also learn why!

MilongaCat
The only cat who loves you back!

Thursday, March 20

through the widest of windows



I cried out aloud – it was through the widest of windows -
"Please don't walk on the grass!
Don't trample those! Please do let them be!"

Time ...just before another moon rise, cutting through the clouds
Once more...
the young blossoms greeting the dark...

Why do blossoms come of age so early?
Why would they not want to slow down?

Some never learn,
Some make friends with every breeze.
What is it about 'the death-wish' ?
- breaking these many of young hearts -
"... old news...", these tire my soul.

These burdens - too heavy.
- "How can we hold?"

- through the widest of windows - I cried out aloud:
"Blossoms! Beware!"
"Mind every breeze!"
"Don't play! It is a death-game...how can you see and not learn?!"

- In the morning after -
The massacred blossoms laid all over that lawn

I cried out aloud - through the widest of windows -
"Please don't walk on the grass!
Don't trample those! Let the dead blossoms just be!"

MilongaCat
The only cat who loves you back!

Wednesday, March 5

Who is teaching whom?!

It is difficult but I will try what I can and speak of another controversial issue, namely "Who is teaching whom?!"

The other day, in a very amusing conversation with some friends we were informed that somebody who is to be known here as "The Character", has set up shop and is now teaching dancing tango. This individual who keeps insisting that "he dances with his heart" unfortunately has always failed to realise that "Tango is danced with our feet too" and that tango is not just for engaging the soul but the body too. "A heart alone, without some body, will sadly not do!" this never seems to have occurred to him to be true.

I, honestly, would like to give him or anyone else like him the benefit of the doubt. If their heart is moving with the music when dancing then perhaps in their mind they can not realise that the body and feet are being needed. The embrace, the techniques, the understanding of any partner's involvement, the connection, the balance etc in this "couple's dance" i.e. The Tango!, may look as secondary and as unimportant issues to them but they are essentials. If their mind tells them these and other similar essential matters do not require their attention then it is only in their mind that the truth may stand to be what it is seen to be by the rest of us watching them!

However, a heart, alone, moving with the music when the feet are still visibly and totally confused to what they are meant to do, will not suffice when it comes to dancing tango in public and even more significantly if one intends to teach the tango. I would have thought even a short few months for anyone to have been present at the tango scene would have been enough for this message to reach home but no, it never did. Instead there soon came "the t-shirt", the over exaggerated accent, the self-promotions, stickiness, the gluing of oneself to various venues, the DJ's desks, and to be seen to associate with individuals who run them, forcing oneself on others' generosity of time and attention when they are simply being too polite or even too embarrassed to shake such characters off.

As strange as it sounds we now hear that such a person has set up shop. Yes, He introduces himself as a "Tango Teacher", and that he is officially teaching tango!!!

Personally I am not against anyone wanting to make a few handfuls of bank notes from "any bizarre bazaar", be it tango or any other trade. If some one has some talents they are entitled and should be encouraged to use it. The rewards are theirs if they can get. In fact the more tango activities, classes, milongas, exhibitions, concerts etc there are, the richer the benefits and rewards are for all of us. However these should not be extended so thinly that taking people for a ride is to be seen as a talent and therefore for us to be fine with it.

On the other hand the shocking truth might be that this individual or people like him may really see themselves as qualified to teach in their own mind and by those who have never been taught. In such cases, these are acts which are at the very best due to self delusions, but I fear the worse that there is something else here at play, a fraud and a con.

Looking around us here we can see that there are some highly skilled, dedicated tango teachers whom we know to have spent many years studying their trade, delivering the goods and polishing their acts. There are also those who may not be the best at teaching tango but at least they are very polished performers and appear where a public face of tango is required in the media. Perhaps there are some we can best call the unsung heroes too these are the teachers who have never managed to claim a great deal of public fame but, despite of that, their successful implementation of teaching techniques and use of knowledge have consistently produced very good dancers and we all take more pleasure with them at our milongas.

So... what are we to do with "the character(s)"? By entertaining the personal delusions of grandeurs of such individuals, or worse allowing the con-artists engaging their trade in our community, I am not sure who would lose out most. I do not have many ideas on how such enterprises or people can be stopped although I do know this that by ignoring these we will all lose out, in our own ways!

MilongaCat
The only cat who loves you back!

Friday, February 29

Temptation!

Diana Krall - Temptation (lisabon video)


It is the temptations that we keep asking about and the question still remains; "Can she resit?!"

Wednesday, February 27

Tango Provocateur (Part 3)

He said he'd gone fishing. This made her laugh. He'd never been before despite the fact that he had always talked about it. He said it again " I could not join you dancing last night because I'd gone fishing!"

It was only the other week, last Saturday night in fact when they had danced in her place, in her sitting room just after their meal together. Naked. Together, past midnight, delicious. He sang to her through all those many of Armstrong's songs, singing along oftentimes: "It is true that it can only be you!.....", and he danced her through.


"He was no player!" she told herself but how could she be sure? What's there to be sure of in life, by anyone, at anytime? "Let's be real!", her ex-husband for those few years they shared together was more innocent looking than anyone could have ever known and was no "rat" as some liked to recall their ex-es but he was totally the wrong man in her life.

Perhaps it was about time to give this guy some room to play his game. "Let's wait and see if he ever could stage or think of any one game", it is only fair she thought not to prosecute any other guys for the misery caused by the miserable last.

The warmth of his embrace was intoxicating and invitingly deliberate in eliminating her inhibitions when they had been to her place last. They started dancing sweetly to Armstrong's songs. One after the other. Every melody touched her. Drifting into such abundance of emotional gratitude for the time and space to have mellowed into "Now, and nothing more". Caresses were heavenly spine chilling. Kisses were not just met by her lips wanting but desirably madly wished for.

How could she not want it more? Was this not every man's and woman's most forbidden wish? The most intense of crushing and breathtaking silky dreams took her only that far, and not much further than she had been wanting him to. But he surpassed those with her. The freedom and liberty given to her, the feeling of 'glee', gained at the expense of feelings of shame, 'the pride in cognition of self', it was not him leading this, but herself. She had arrived at her acknowledgment of a transparency - of inner self - from within her.

Her ex-partner was never cruel or abusive. She could not spread any blame on him for being not like this new man in her life.

It had been many years since the passion had died. It was difficult to remember if there ever was any other than physical natural desires of lust. Between passion and lust there is an ocean of differences , this she had learned now. Lust made her not resist temptations if they were offered but passion made her look and create the heart stopping moments of wants and mind numbing tingles of aching for togetherness.

Can she call this love? Surely not, this has been too short and casual to call it so.

He said he had gone fishing. What a strange thing to hear anyone say, far too much like the song she had heard him sing along.

"Even that, if it were to be true, can not be described as an excuse that is worthy for taking on for being acceptable!", she thought. The massage that he had left her with was stupid sounding and simple: "Gone fishing!", "whatever next!" she thought!

In her sitting room she recalled the fever driven moments they had shared before. She was not ashamed nor embarrassed for having been true to herself. At 'Trust' they had met as equals.

" 'Trust' does not emanate from conviction of what perceived truths are, but rather commences from the assumptions of self-deluding versions of our suppositions", and she liked the ones she held. To this belief, she had given in some long time ago. She was nobody's fool and she had stopped playing anybody else's games - knowingly. Now, she was "happy!" since she found herself to be, for the time being- at least, where she had searched for to be all through her life since she had assumed to have known 'belonging'.

Some years back, in that bitterly cold winter, by the seaside where they lived with her ex-partner, she used to accompany him on his strange walks in the late evenings on the solidly frozen beaches. The sand crystals on those beaches felt like concrete, hard and inflexible. In their walks the snow and winds cut their faces. The howling noises were relentless, the winds and waves crashing together near and around them made their whole body numb. No feelings were possible in any of her limbs. She used to surrender to these because he used to say he felt at one with nature. Maybe he was crazy, may be he wanted her driven crazy, she stopped analysing his mad behaviour a long time ago.

The past was a different country which she had walked away from, and she had no intentions to reason with, or find reasons for any more. What mattered was that she had found all her reasons for being 'herself' and whomever she wished to become now, and she had.

She enjoyed her persona, a living 'tango provocateur'. A woman that men dreamed of holding close and near. Women wished if they could only be daring enough to become like her.

"Where could he have gone fishing till this late this evening?"

It was a cold night outside. She did not wish to be next to him on any boat in that freezing cold weather. She did not want to imagine being on any river or riding any waves, neither near nor far, regardless of any beach, sea, or country that she had or not known.

She wished him to be embracing her close, hot, in their nearly naked state when exhausted from dancing many hours of tangos. She imagined them on her sitting room floor, they could dance till they could give up and collapse onto each others' bodies. On her sofa, tasting life with each individual breath, the unique sensation of knowing one another's heartbeats, "What a wonderful world!", but that crazy man had instead gone fishing.


"Tango Provocateur"
A Short Story by:
MilongaCat