Who is teaching whom?!
It is difficult but I will try what I can and speak of another controversial issue, namely "Who is teaching whom?!"
The other day, in a very amusing conversation with some friends we were informed that somebody who is to be known here as "The Character", has set up shop and is now teaching dancing tango. This individual who keeps insisting that "he dances with his heart" unfortunately has always failed to realise that "Tango is danced with our feet too" and that tango is not just for engaging the soul but the body too. "A heart alone, without some body, will sadly not do!" this never seems to have occurred to him to be true.
I, honestly, would like to give him or anyone else like him the benefit of the doubt. If their heart is moving with the music when dancing then perhaps in their mind they can not realise that the body and feet are being needed. The embrace, the techniques, the understanding of any partner's involvement, the connection, the balance etc in this "couple's dance" i.e. The Tango!, may look as secondary and as unimportant issues to them but they are essentials. If their mind tells them these and other similar essential matters do not require their attention then it is only in their mind that the truth may stand to be what it is seen to be by the rest of us watching them!
However, a heart, alone, moving with the music when the feet are still visibly and totally confused to what they are meant to do, will not suffice when it comes to dancing tango in public and even more significantly if one intends to teach the tango. I would have thought even a short few months for anyone to have been present at the tango scene would have been enough for this message to reach home but no, it never did. Instead there soon came "the t-shirt", the over exaggerated accent, the self-promotions, stickiness, the gluing of oneself to various venues, the DJ's desks, and to be seen to associate with individuals who run them, forcing oneself on others' generosity of time and attention when they are simply being too polite or even too embarrassed to shake such characters off.
As strange as it sounds we now hear that such a person has set up shop. Yes, He introduces himself as a "Tango Teacher", and that he is officially teaching tango!!!
Personally I am not against anyone wanting to make a few handfuls of bank notes from "any bizarre bazaar", be it tango or any other trade. If some one has some talents they are entitled and should be encouraged to use it. The rewards are theirs if they can get. In fact the more tango activities, classes, milongas, exhibitions, concerts etc there are, the richer the benefits and rewards are for all of us. However these should not be extended so thinly that taking people for a ride is to be seen as a talent and therefore for us to be fine with it.
On the other hand the shocking truth might be that this individual or people like him may really see themselves as qualified to teach in their own mind and by those who have never been taught. In such cases, these are acts which are at the very best due to self delusions, but I fear the worse that there is something else here at play, a fraud and a con.
Looking around us here we can see that there are some highly skilled, dedicated tango teachers whom we know to have spent many years studying their trade, delivering the goods and polishing their acts. There are also those who may not be the best at teaching tango but at least they are very polished performers and appear where a public face of tango is required in the media. Perhaps there are some we can best call the unsung heroes too these are the teachers who have never managed to claim a great deal of public fame but, despite of that, their successful implementation of teaching techniques and use of knowledge have consistently produced very good dancers and we all take more pleasure with them at our milongas.
So... what are we to do with "the character(s)"? By entertaining the personal delusions of grandeurs of such individuals, or worse allowing the con-artists engaging their trade in our community, I am not sure who would lose out most. I do not have many ideas on how such enterprises or people can be stopped although I do know this that by ignoring these we will all lose out, in our own ways!
MilongaCat
The only cat who loves you back!
10 comments:
Dear MilongaCat,
You caught me just relaxing and going through my moment of catching up with all my dear and favorite blogs (something I haven't done leisurely for a while).
Aha.
And so I come to visit you and what do I find? Of course, a great insightful post :) I have to add that I do not respect those who do not polish their skills before deciding to teach. Sure, they are free to see whether they can go out and grab a few innocent souls and teach them (while doing to them a great disservice). Beyond the fact that this does not respect those who are new to the dance and cannot tell good from bad, the whole thing bothers me because it truly disrespects Tango. I believe dancers need to mature, understand what this art, this means of communication and expression is really about. Too soon is too soon, and those who don't see they are too soon, can only be the same seem. Green...
It is a problem, we see it here, with very unexperienced people teaching. Students need to watch and observe, look to their favorite dancers, and ask around, before spending time and money. I see students staying and continuing with teachers, and over time still not being able to really dance and to enjoy this wonderful life of tango.
Maybe this person has something to offer? Don't dismiss, critiize and gossip out of hand without the benefit of first hand knowledge.
I am sure those regarded as the best teachers in England would be seen as rank amateurs and charlatons in Bs As?
Dear Tanguera
First of all it is a pleasure to hear from you and thank you for your supporting remarks.
I also believe that those who are descent and responsible will feel that they need time and efforts to mature and progress till they see themselves as qualified to formally train others in any schools they may be setting up.
However I fear that the term "con-artist" that I had to carefully select in my posting, may be closer here to describe the circumstances by which some novices would find themselves having to interact with.
Dear Elizabeth
Lovely to read your opinion on this.
I was lucky to enter the tango scene through good fortune of someone having done the hard work of finding a good school before I took any lessons but the majority is not so fortunate and it usually takes a long time for any beginner to discover if their teacher is fabulous or hopeless.
I personally feel the tango community has a responsibility to itself to speak of these rather than close ranks and not want to wash their dirty laundry in public.
Dear Anonymous
Thank you for your comment and visiting the blog.
I think it is perhaps unfair to assume that I have gossiped here or am speaking with some ill intention towards one single individual for personal gratification or gain. I am not a teacher/organiser nor do I have a business or profession that is any way related to Tango but I have loved dancing it for many years and therefore I believe after these times I have also seen the very good and the very bad in tango teaching/working.
I can not see how or why anyone in the Bs As would or should want to label a very good teacher working in the UK as a charlatan.
My concern was to highlight how someone who does not know seem and look to correctly dance the very basic of steps has now set up school to teach others! How could we think or say that this is gossip?!
Dear MilongaCat,
Thank you for that insightful and observant posting.
It is quite sad that even in an environment that brings most of our senses to life, wakens the passion for dance within us and enhances those good human qualities forgotten by some, there are individuals who are there to take advantage of the less experienced and are looking to portray something they are not.
I'm glad you have had the audacity to bring this out in the open and hope more people voice their opinions, be true to themselves and to the rest of us.
Traceless
Dear Traceless,
Thank you for commenting on this post & your continued support.
I agree that our community here avoided the open discussion on this topic completely!
We should not be very surprised about this since many felt by avoiding the open discussion their own teaching techniques might not be scrutinised either!
Sadly the case still remains, and unfortunately many "students" will discovery "Who is Teaching Whom?!" too late!
MilongaCat.
Unfortunately, some individuals' self esteem overcomes common sense and reason to the detriment of the coming innocent tanguero beginners.
Time will tell and I am sure this person will soon find that the tango world does not share his enthusiasm...
Koolricky could not have said it better.
It is with almost everything, someone goes into therapy of somesort and six weeks later, ooh I am going to be a Lifestyles Coach, Yoga instructor blah blah blah! And I do not mean to disrespect these professions at all, but personally the people I choose to teach me for whatever knowledge I want to acquire have a few years behind their wisdom.
Hi to all of you,
It's a pleasure to pass by here and see that the feelings I write in my blog are shared in a so distant place. I'm from Italy and I can assure this kind of things happens very often here, and unfortunately beginners can't realize it by themselves.
On the other hand, there's who dance only with feet: that's what I call "Tango gymnastic".
@Anonymous: Don't be so sure that the best teachers in England or in Italy are worse than the Argentinian ones.It's very sad indeed to see people mad about Argentinian dancers even if they're really bad at dancing, only beacuse they come from Bs. As.
If you pass by my blog (Controtango), I would be very happy.And hope we could link each-other.
Un abrazo,
Controtango
This a pet peeve of mine...somehow so many dancers after a few months of learning themselves hang out their shingle and call themselves teachers. Perhaps some of them could be considered "taxi dancers" for lack of better partners that are available for free. In my experience most of these people simply are awful dancers themselves and poorly understand techniques let alone that there is more to each part of the dance than steps to be executed in sequence to a beat. The only benefit I can see to their elevated status is that they are generally too full of their own importance to ask intermediate dancers like myself anymore which is a relief.
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